UFI welcomes Paul Cornell Author of London Falling. Thanks for Joining us!!
What can you tell my
readers about yourself that they might not know from looking on your bio or
reading in another interview?
I
once got a fan letter from Kate Bush.
Who just happens to be my favourite recording artist! (I was rather pleased, I can tell you!)
What do you enjoy doing on
your down time?
Watching
cricket just makes a tense bit of me feel so much better. (Mental bit of me, I mean. Cheeky.)
What is your Favorite part
of writing?
'Having
written.' I bet everyone says that. I rather like sorting out one of those big
character-defining moments that hopefully makes people go 'oh, they would do that, wouldn't they?'
Do you have any certain
routines you must follow as you write?
I
tend to type, look at Twitter, look at Facebook, type again, in a sort of
continual cycle. I take micro-breaks,
which I'm told is a good way to work.
But it wasn't deliberate!
What are some of your
Favorite books or Authors in the Urban Fantasy/ Paranormal Genres?
I
like Seanan McGuire, Carrie Vaughan, China Mieville, Neil, of course.
How would you pitch London Falling to someone who has never heard of it before??
It's a novel about what
happens when a unit of modern undercover London police accidentally gain the
power to see the monsters and the magic.
After they've finished panicking, they decide the only way they're going
to survive is to use (real) police methods against the supernatural. There's loads of cynical copper humour
alongside the dark stuff, and I hope it gets quite emotional. If you like the voice I write Doctor Who in, this is much the same.
What can you tell me about
the world that London
Falling is set in?
It's
got a surface that's hopefully exactly that of the real world, with a lot of
detail about police methods and work life (gleaned from several undercover
coppers of my acquaintance). The nature
of what's underneath is something that I hope to gradually reveal over several
books. There's going to be a complete
case in every volume, but the back story keeps getting bigger. There's something like magic, that has
something to do with the shape of the land and buildings and the human mind, in
a psychogeographic way. But my police don't
use the M word, like the word Mafia doesn't appear in The Godfather.
Do you have a favorite
scene in London Falling?
I
think it's the one where my coppers dismantle the idea of a ghost bus,
wondering how a motor vehicle could walk the earth as a restless spirit. Being police, they use their ops board to
boil down supernatural concepts and try to unpick the mechanisms behind
them. They're never content with
archetypes.
Which character was your
favorite to write about? What about the hardest to write about?
My genius intelligence
analyst, Lisa Ross (not the name she was born with) is someone I feel very
close to. She's had this terrible
tragedy in her life, and she's working towards her revenge when it's all taken
from her. It's a challenge to write a
really smart detective who operates in ways which the reader (and the author)
can still understand when she explains them.
What Other Projects can we
look forward to reading from you?
The
sequel, The Severed Streets (Jack the
Ripper is back and this time he's killing rich white men) is out in the UK
later this year. I'm writing Wolverine every month for Marvel, and
there are a couple of TV projects I can't tell you about yet.
Thanks
for that! Hope you like it! Cheerio!
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London Falling
The dark is rising . . . Detective Inspector James Quill is about to complete the drugs bust of his career. Then his prize suspect Rob Toshack is murdered in custody. Furious, Quill pursues the investigation, co-opting intelligence analyst Lisa Ross and undercover cops Costain and Sefton. But nothing about Toshack’s murder is normal. Toshack had struck a bargain with a vindictive entity, whose occult powers kept Toshack one step ahead of the law – until his luck ran out. Now, the team must find a 'suspect' who can bend space and time and alter memory itself. And they will kill again. As the group starts to see London’s sinister magic for themselves, they have two choices: panic or use their new abilities. Then they must hunt a terrifying supernatural force the only way they know how: using police methods, equipment and tactics. But they must all learn the rules of this new game - and quickly. More than their lives will depend on it.
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